This shadowy composer may have worked at the Aragonese court of Naples in the mid-fifteenth century. His Mass is technically unambitious but surprisingly effective in performance; the Gloria and Credo alternate three-part polyphony with plainchant. For three solo voices or small choir: ATBar, plus a small choir for the plainchant. iii + 13 pages. ISMN 979-0-57039-057-1.
